Schanda, J. ed.
Colorimetry: Understanding the CIE System
測色法
John Wiley & Sons 2007.8
459 pp. (H)
ISBN 0-470-04904-9
12,900円
Contents
Part I: Historic Retrospection : 1. Translation of CIE 1931 Resolutions on Colorimetry / 2. Professor Wright’s Paper from the Golden Jubilee Book: The Historical and Experimental Background to the 1931 CIE System of Colorimetry / 3. CIE Colorimetry / 4. CIE Color Difference Metrics / 5. Spectral Color Measurement / 6. Tristimulus Color Measurement of Self-Luminous Sources / 7. Color Management / 8. Color Rendering of Light Sources / Part III: Advances in Colorimetry : 9. Color-Matching Functions: Physiological Basis / 10. Open Problems on the Validity of Grassmann's / 11. CIE Color Appearance Models and Associated Color Spaces / 12. Image Appearance Modeling / 13. Spatial and Temporal Problems of Colorimetry / 14. The Future of Colorimetry in the CIE / Glossary / Index / *
Ebner, M.
Color Constancy
色彩恒常
John Wiley & Sons 2007.6
408 pp. (H)
ISBN 0-470-05829-3
16,400円
Contents
1 Introduction. 2 The Visual System. 3 Theory of Color Image Formation. 4 Color Reproduction. 5 Color Spaces. 6 Algorithms for Color Constancy under Uniform Illumination. 7 Algorithms for Color Constancy under Nonuniform Illumination. 8 Learning Color Constancy. 9 Shadow Removal and Brightening. 10 Estimating the Illuminant Locally. 11 Using Local Space Average Color for Color Constancy. 12 Computing Anisotropic Local Space Average Color. 13 Evaluation of Algorithms. 14 Agreement with Data from Experimental Psychology. 15 Conclusion. *
* A human observer is able to recognize the color of objects irrespective of the light used to illuminate them. This is called color constancy. A digital camera uses a sensor to measure the reflected light, meaning that the measured color at each pixel varies according to the color of the illuminant. Therefore, the resulting colors may not be the same as the colors that were perceived by the observer. Obtaining color constant descriptors from image pixels is not only important for digital photography, but also valuable for computer vision, color-based automatic object recognition, and color image processing in general. *
Reinhard, E. et al.
High Dynamic Range Imaging
Acquisition, Display, and Image-Based Lighting
Academic Press 2005.11
520 pp.(H)
ISBN 0-12-585263-0
11,000円
Contents
Foreword/ Preface/ 1 Introduction/ 2 Light And Color: 2.1 Radiometry/ 2.2 Photometry/ 2.3 Colorimetry/ 2.4 Color Spaces/ 2.5 White Point and Illuminants/ 2.6 Color Correction/ 2.7 Color Opponent Spaces/ 2.8 Color Appearance/ 2.9 Display Gamma/ 2.10 Brightness Encoding/ 2.11 Standard RGB Color Spaces/ 3 HDR Image Encodings: 3.1 LDR versus HDR Encodings/ 3.2 Applications of HDR Images/ 3.3 HDR Image Formats/ 3.4 HDR Encoding Comparison/ 3.5 Conclusions/ 4 HDR Image Capture: 4.1 Photography and Light Measurement/ 4.2 HDR Image Capture from Multiple Exposures/ 4.3 Film Scanning/ 4.4 Image Registration and Alignment/ 4.5 The Mean Threshold Bitmap Alignment Technique/ 4.6 Deriving the Camera Response Function/ 4.7 Ghost Removal/ 4.8 Lens Flare Removal/ 4.9 Direct Capture of HDR Imagery/ 4.10 Conclusions/ 5 Display Devices/ 5.1 Hardcopy Devices/ 5.2 Softcopy Devices/ 6 The Human Visual System and HDR Tone Mapping/ 6.1 Tone-mapping Problem/ 6.2 Human Visual Adaptation/ 6.3 Visual Adaptation Models for HDR Tone Mapping/ 6.4 Background Intensity in Complex Images/ 6.5 Dynamics of Visual Adaptation/ 6.6 Summary/ 7 Spatial Tone Reproduction: 7.1 Preliminaries/ 7.2 Global Operators/ 7.3 Local Operators/ 7.4 Summary/ 8 Frequency Domain And Gradient Domain Tone Reproduction: 8.1 Frequency Domain Operators/ 8.2 Gradient Domain Operators/ 8.3 Performance/ 8.4 Discussion/ 9 Image-Based Lighting: 9.1 Introduction/ 9.2 Basic Image-based Lighting/ 9.3 Capturing Light Probe Images/ 9.4 Omnidirectional Image Mappings/ 9.5 How a Global Illumination Renderer Computes IBL Images/ 9.6 Sampling Incident Illumination Efficiently/ 9.7 Simulating Shadows and Scene-Object Interreflection/ 9.8 Useful IBL Approximations/ 9.9 Image-based Lighting for Real Objects and People/ 9.10 Conclusions/ List of Symbols/ References/ Index/
* High dynamic range imaging produces images with a much greater range of light and color than conventional imaging. The effect is stunning, as great as the difference between black-and-white and color television. High Dynamic Range Imaging is the first book to describe this exciting new field that is transforming the media and entertainment industries. Written by the foremost researchers in HDRI, it will explain and define this new technology for anyone who works with images, whether it is for computer graphics, film, video, photography, or lighting design. *
Bertamini, M. & Kubovy, M.
Human Perception
知覚
Ashgate Publishing 2006.8
497 pp.(H)
ISBN 0-7546-2607-5
32,800円
Contents
Part 1. Attention/ Part 2.Brain Systems/ Part 3.Object Interpolation and Completion/ Part 4.Object Recognition and Classification/ Part 5.Different Types of Objects/ Part 6.Informastion Processing and Models/ Name Index/ *
Coates, P.
The Metaphysics of Perception
Wilfrid Sellars, Perceptual Consciousness and Critical Realism
Routledge 2007.8
288 pp.(H)
ISBN 0-415-28445-7
12,500円
Contents
Part 1. Why a Causal Account of Perception is Necessary: 1. The Structure of Perceptual Experience/ 2. The Sceptical Challenge/ 3. The Failure of Direct Realist Theories/ 4. Conclusion/ Part 2. How There Can Be a Causal Account of Perception: 6. Causality and Our Understanding of Perception/ 6. Presence, Projectivism and Critical Realism/ 7. The Possibility of Knowledge. Appendix: The Vindication of Sense Data/
* This book challenges contemporary direct realist theories of perception and defends a version of the causal theory that the author locates in the critical realist tradition of which Wilfrid Sellars is the main recent exponent. The author highlights the difficulties direct realists face in providing a coherent positive account of their view. He develops an analysis of perceptual experience derived from the later writings of Sellars. According to this account experience involves both low-level concepts and a distinct sensory component. This view makes sense of the various notions of nonconceptual content appealed to in current discussion, and provides, in addition, solutions to the conceptual problems raised by recent experimental work on attention and change-blindness. An important feature of this theory is the dynamic navigational account of perception and action, which points to an underlying continuity between common sense, scientific and philosophical accounts of perceiving. *
666-7 登録日 08.07.06
